Good Kings Bad Kings: A Novel - Softcover

"Nussbaum wonderfully sweetens a stark subject with doses of idiosyncratic humor and hard-earned pathos . . . [she] upholds the individuality and integrity of her characters, never stooping to saccharine cliches or Hollywood manipulation . . . [a] moving story." --The Wall Street Journal

"This is a world as foreign to most as another planet. That Nussbaum is able to make it as real and as painful and joyful and alive as she does is a spectacular accomplishment . . . a joy for readers." --Chicago Tribune

"Each character tells his or her own story in alternating chapters with lively, diverse, authentic voices . . . Nussbaum will have readers rooting for these brave, vulnerable teens to fight for better lives." --School Library Journal

"Saucy, brutally funny, gritty, profane, poignant and real." --The Kansas City Star

"A knockout . . . Nussbaum possesses an astonishing ear for idiosyncratic voices, and a talent for creating characters who appear in full bloom within a few sentences. This is an easy book to love and admire--but more than that, it's a book that has the potential to change forever the conversation we are (or are not) having about what it means to be 'disabled' . . . In Good Kings Bad Kings, we have the rare opportunity to be awakened by hearing the truth delivered with beauty alongside agony, despair interwoven with possibility." --Los Angeles Review of Books

"Nussbaum's dramatist skills translate powerfully into fiction as she gives voices to an infatuating cast of characters . . . This is unquestionably an authentic, galvanizing, and righteous novel." --Booklist (starred review)

"Well-meaning, well-written and well-plotted, with qualified justice for some of the bad guys and hope for a few of the oppressed: A most appropriate winner of the 2012 PEN/Bellwether Prize for Socially Engaged Fiction." --Kirkus Reviews

"A stirring debut from a determined writer and activist." --Publishers Weekly

Bellwether Award winner Susan Nussbaum’s powerful novel invites us into the lives of a group of typical teenagers—alienated, funny, yearning for autonomy—except that they live in an institution for juveniles with disabilities. This unfamiliar, isolated landscape is much the same as the world outside: friendships are forged, trust is built, love affairs are kindled, and rules are broken. But those who call it home have little or no control over their fate. Good Kings Bad Kings challenges our definitions of what it means to be disabled in a story told with remarkable authenticity and in voices that resound with humor and spirit.