The Wolf Border: Shortlisted for the Booker Prize - Softcover

[T]he odd sense lingers of Hall as a well-kept secret. If you're currently revelling in your membership of the initiate, however, be warned: her new novel looks set to blow the lid off. (Guardian)

[A] thoughtful, gripping and utterly humane exploration of generation, parenthood, and the responsibility that connects individuals, both human and animal, to one another ... For sheer good writing and intelligence of execution, you may not read a better book this year. (Quadrapheme)

It is a compelling, psychological drama ... [Hall] has a golden touch, texturing her pages with rich metaphor and lyrical prose. (Economist)

[A] stylish, intelligent and a cracking read ... Hall is at her best when she deals with her outlandish scenario in a calm and unsensational manner. She writes with luminous precision about pregnancy and motherhood ... Her close observations of wolf behaviour and of Cumbrian weather are wonderful. (Sunday Times)

This is a book overflowing with life and history, propelled by a writer who engages all the reader's senses. (Telegraph)

[J]oyous fragility characterises The Wolf Border ... which weighs sense and sensuality, order and chaos, with sumptuous grace. Hall writes gorgeously about small moments ... But her plot too is gripping, propelled by some intriguing mysteries, a couple of conspiracies and a pulse-racing set-piece in which Rachel juggles baby, wolves, brother and vocation. (Independent)

Hall is an outstanding writer and this is largely a magnificent novel ...spine-tingling ... (Metro)

Hall's alert, focused prose generates a sense of building exhilaration as personal, political and physical boundaries break down ... [A] reminder that real power - both human and animal - operates on ancient instinct: beyond the rules of the herd and border blind. (Spectator)

Beautiful and quite stunning. (Mail on Sunday)

Centuries after the British wolf's extinction, an eccentric Cumbrian earl plans its return. But what sounds like a Gothic fantasy is, in Hall's hands, a thrilling tale of politics and power ... Compulsively absorbing and masterfully plotted, it confirms Hall as one of our finest fiction writers. (Daily Mail)

Sarah Hall was born in Cumbria in 1974. She is the prize-winning author of four novels - Haweswater, The Electric Michelangelo, The Carhullan Army and How to Paint a Dead Man - as well as The Beautiful Indifference, a collection of short stories. The first story in the collection, 'Butchers Perfume', was shortlisted for the BBC National Short Story Award, a prize she won in 2013 with 'Mrs Fox'.