I See You Everywhere - Softcover

Swim to the Middle

1980

I avoid reunions. I’m not a rebel, a recluse, or a sociopath, and I’m too young to qualify as a crank, even if it’s true that I just spent the evening of my twenty-fifth birthday not carousing with friends or drinking champagne at a candlelit table for two but resolutely alone and working, glazing a large ovoid porcelain bowl while listening to Ella Fitzgerald sing songs by the Gershwin brothers. (A crank could never love Gershwin.) My one real boyfriend in college, just before we broke up, told me I’m nostalgic to a fault. He professed contempt for what he called “the delusional sound track to our parents’ deluded lives.” He informed me that you can’t be nostalgic for things that had their heyday before you were so much as born. Just about any member of my family would have laughed him out the door and down the garden path.

Family reunions are the worst—all that competition disguised as fellowship—and they’re also the hardest to avoid. But when my father’s Great-Aunt Lucy died last summer, there was an inheritance at stake, a collection of antique jewelry. Not the glossy priceless stuff—no diamonds, tiaras, or niagaras of pearls. Not things you’d sell but things so deliciously old-fashioned and stylish that to wear them makes you feel like a character from a Jane Austen novel or a Chekhov play. The one piece I remembered most vividly was a cameo, two inches square, ivory on steel-blue Pacific coral, a woman’s face inclined toward her hand, in her slender fingers an iris. Aunt Lucy had worn that cameo day and night, winter and summer, on lace and wool. Maybe she’d left us a charm bracelet, maybe earrings of garnet or Mexican silver, but mostly I wondered about that cameo. And wanted it. I’d wanted it since I was a little girl. One of my earliest memories is of sitting on Lucy’s lap, squirming to find a comfortable spot on her bony thighs yet happy to feel her kind honeyed voice in my hair as she talked with the other grown-ups gathered on her porch. She did not object to my poking and fingering the cameo, probing its fragile details: the woman’s eyelids and earlobes, the cuticles of her nails, the harmoniously wandering tendrils of her hair. She let me borrow it once, for a family dinner at a country inn.

Because Lucy never had children, not even a husband, my father long ago became the one who kept an eye on her in the last decades of her very long life. Geographically, he was the closest family member by far; out of a large, tenaciously Confederate clan, they were the only two living anywhere you can count on snow. Once Dad decided to stay north, after earning two degrees at Harvard, the family lumped him together with Lucy: “How are the defectas faring up yonda?” a cousin might ask Dad at a wedding in Memphis or Charleston. Happily, their proximity blossomed into genuine affection.

So Dad was the executor of Lucy’s will, which emerged from her bureau drawer along with a letter to my father that she’d written a year before she died. It began, To my splendid grandnephew Beauchance: Before I take my irreversible leave (which I suppose I will now have taken, strange to think), I am seizing this lucid moment to write down a few matters pertaining to the house and my ragbag possessions therein. I have little doubt that I shall have left the house in a rather sorry state, for which I apologize. Be charitable, if you can, to any bats or raccoons which may have colonized the attic or basement (though none to my knowledge have done so), and please take Sonny’s word on any tasks for which he claims I still owe him payment; our mutual accounting has grown slack if not capricious. . . .

Over the phone, Dad read me the letter in its crisp yet meandering entirety, stopping now and then to chuckle. I heard no tears in his voice until the end, where she wrote, Whatever modest adornments pass for jewelry, I leave to your daughters, Louisa and Clement. I did not become as intimately acquainted with them as I would have liked, but I did know the satisfaction, one summer to the next, of seeing how they grew; as I wish I had seen you evolve in your youth. I wish I had known much sooner, Beau, that you would become the facsimile of a perfect son, a gift whose pleasures I wish I had been blessed to know firsthand.

His voice cracked on the word gift, as if he didn’t deserve such gratitude, my father who will do just about anything for anyone, driving my mother crazy with all the favors he does for everyone else (including, as she likes to say, any random citizen of Outer Slobovia and its most godforsaken suburbs).

I decided to fly across the entire country because I couldn’t bear the thought that if I didn’t show up in person, my sister might inherit everything—including that cameo—by default. On the plane, I tried to decide which of two equally vulgar motives, materialism or spite, had compelled me to buy a ticket I couldn’t afford to a place where I’d see no one I wanted to see. My life was not, as people like to say, in a good place—though, ironically, the place where I lived at the time happened to be Santa Barbara. So I made excuses and timed my visit to avoid the masses of cousins, aunts, and uncles who would descend on Lucy’s house to grope the heirlooms by day and drink too much bourbon by night. I may share their Huguenot blood, but not their bad taste in booze and their glutinous drawl. I will never forget how, when our grandmother died two years ago, the family marauded her New Orleans house with no more respect than the Union soldiers who stripped us all bare a century back. You’d think, with all our costly educations, the reconstructed Jardines would avoid civil wars. Well, ha. There was an ugly brawl, which featured weeping and a smashed lamp, over the Steinway grand. Someone with Solomonic intentions actually went so far as to crank up a chainsaw. I could not deal with that type of gathering all over again. Whether I could deal with Clem remained to be seen.

My sister had been living with Aunt Lucy for what proved to be her final summer. After Lucy’s death, Clem stayed on while the relatives passed through, finishing up her summer jobs before heading back to college for her junior year. During the days, Clem worked in a bike shop and volunteered at a sanctuary for recovering raptors: birds, she’d explained when I called, that had been shot, struck by small planes, tortured by teenage boys. In the evenings, she kept an eye on Lucy—until her sudden death at the beginning of August. Not that our aunt was infirm, incontinent, or witless, but for the last several months of her life she was afflicted with an obstinate restlessness that sent her out after dark on urgent eccentric missions. Winooski, Vermont, is a snug, friendly place, so she wasn’t likely to be mugged or abducted. Nevertheless, reasoned Dad, who could say she wouldn’t do something drastic like sell her last shares of Monsanto and Kodak, head for the airport, and unintentionally vanish?

I’d hardly spoken to Clem since moving out west two years before. After college, in pursuit of a man I’d prefer to jettison from memory, I hauled my pottery wheel, my heart, and my disastrously poor judgment from Providence to California. It was completely unlike me to do anything so rash; maybe, subconsciously, I was trying to get back at Clem by pretending to be Clem, to annoy her by stealing her role as devil-may-care adventuress. Whatever the reason for my tempestuous act, it backfired. Three weeks after I signed a lease and bought a secondhand kiln, the boyfriend shed me like a stifling, scratchy-collared coat. To keep up with the rent I’d fooled myself into thinking he would share, I gave up my car. After that, I sold a pitcher here, a platter there, but to stave off eviction I wrote articles for a magazine that told workaholic doctors what to do with their leisure time. In college, I’d been just as good with words as I was with clay, and one of my Brit-lit classmates had started this odd publication. People had laughed, but subscriptions to Doc’s Holiday sold like deodorant soap.

Thus did I hold starvation at bay, but I also felt like the work kept me stuck in a place where I ought to love living but didn’t. Everything out there unnerved me: the punk shadows of palm trees slashing the lawns, the sun setting—not rising—over the ocean, the solitude of the sidewalks as I rushed everywhere on foot, carless and stared at. My inner compass refused to budge. North! it kept urging me. East! I’d just come to the conclusion that I didn’t belong there and never would, and I was feeling uncomfortable in my work, both kinds, but I had no intention of letting Clem in on my angst. My plan was never to trust her again, never to fall for her charms the way everyone else, especially men, seemed to do so fervently. And to snare that cameo. Maybe a string of pearls. Oh, Glenn Miller. I love him, too. What’s life without a little delusion?
·
If you’re to hear Louisa’s version of what went on last summer, you will also be hearing mine. Louisa’s worst side is the one I call the Judge. À la Salem witchcraft trials. There’s this look she gets on her face that tells the world and everyone in it how completely unworthy it and they are to contain or witness her presence. Beware! says that look. The Spanish Inquisition was Entenmann’s Danish!

Her new life in Santa Ladeedabra did not seem to have mellowed her out one iota, because when I pulled up at the airport, that’s the look she was wearing, firm as a church hat, beaming her world-weary scorn clear across the state of Vermont. I was late, okay, which didn’t help. It didn’t help either, I know, that it was me picking her up.

"The best novels entrance us by showing what is missed in life as much as by what's discovered; this is one." (Daily Telegraph)

"Rich, intricate and alive with emotion ... Glass has used the edges and color blocks of her own life to build an honest portrait of sister-love and sister-hate" (New York Times Book Review)

"Louisa and Clem, the sisters at the very centre of this wonderfully vivid, truthful novel, are (as Louisa puts it) "not exactly soul mates. Historically we're kind of like England and France"... [a] quarter century of their lives unfolds, switching between their two voices, kept beautifully distinct by Glass." (The Times)

"The beauty of this story lies in its rich detail and the descriptions of the emotions and events that have shaped the sisters' complex relationship. A riveting and intricate read." (Candis)

"An engaging and intelligent page-turner" (Publishers Weekly)